hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

Here are some images and text that I just wanted to save for later reference.... )


hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

Now, I seem to remember when I first said I was getting this book - SOMEONE needed to get more information on this dress. So when the book arrived, I noticed the dress was in it and took a *lot* of photos (it was a pretty big section of the book).

If you happen to know who wanted this, and can let them know it is here, that would be great!

Read more... )
hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

While I haven't nutted out enough to try making my own net cawls (yet), I thought this might come in handy for someone, and perhaps for me later!

No, it's not for catching fish.... )
hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

The following item is a coat housed in the Berne Historical Museum that the folks at the Abegg Foundation believe was originally plundered 'from the Burgundians'. I believe others have documented items about this coat in their own journals in the past, if memory servers there was some alteration of the cut during the coats lifetime - although I cannot recall now if that was mearly from sizing (as described in the attached text) or if the coat was cut down from another garment.

I *really* love this coat!  )

Sadly, this was not one of the items they made a pattern for...

EDIT 10/24/08 The following 'pattern' layout was provided via the article that [livejournal.com profile] jillwheezul was kind enough to share. The article also indicated that the cut and style of the garment was 1530, but that it was probably altered from an earlier garment (at least 1500).


hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

Onward and upward....

This entry takes us into the later period and the images and descriptions of the outer and under doublets of Count Friedrich von Stubenberg. Count Friedrich died in 1574 and these are the clothing items he was buried in . The Abegg Foundation completed extensive reconstruction on these articles. For the sake of those who are most interested in images of the restored garments, I will include only those in this post. If anyone *really* wants to see what they looked like in their 'before' condition, just let me know and I will add those images as well.



hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

As mentioned in my entry on men's knitted hats from this same book, this entry deals with a set of clothing from the Berne Historical Museum. The clothing was originally attributed to Andreas Wild von Wynigen, who fought in at least one battle in 1499 (Dornach). However, the clothing has since been reexamined and it has been determined that this is more likely a reproduction by other members of the von Wyningen family - specifically a grandson who was a tailor and who may have made the set as a 'historical costume' for himself.

There were so many photos to take of the Wams (doublet) and Hosen (pants) that I split it into two entries in an attempt to not overload the usefulness of the photos and to make future use of these sources easier.

This post is image HEAVY...consider yourself forewarned.

Onward, to the Wams! )

Back to the Hosen...

hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

As mentioned in my entry on men's knitted hats from this same book, this entry deals with a set of clothing from the Berne Historical Museum. The clothing was originally attributed to Andreas Wild von Wynigen, who fought in at least one battle in 1499 (Dornach). However, the clothing has since been reexamined and it has been determined that this is more likely a reproduction by other members of the von Wyningen family - specifically a grandson who was a tailor and who may have made the set as a 'historical costume' for himself.

There were so many photos to take of the Wams (doublet) and Hosen (pants) that I split it into two entries in an attempt to not overload the usefulness of the photos and to make future use of these sources easier.

This post is image HEAVY...consider yourself forewarned.

Read more... )

On to the Wams...

hsifeng: (www.crackafuckingbook.com)
From: Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

These hats are similar to those found in the excavation of the Mary Rose. They are knit, and are almost the same red color as those I remember from the MR book, "Before the Mast".

The first hat is a part of an overall set of clothing from the Berne Historical Museum. *see full clothing detail here: PANTSDOUBLET* The clothing was originally attributed to Andreas Wild von Wynigen, who fought in at least one battle in 1499 (Dornach). However, the clothing has since been reexamined and it has been determined that this is more likely a reproduction by other members of the von Wyningen family - specifically a grandson who was a tailor and who may have made the set as a 'historical costume' for himself.

So, if you make the same set of clothing, you at least will be copying a reenactor from the 16th C! *grin*

I really do need to learn how to knit... )
hsifeng: (www.crackafuckingbook.com)
Textile Conservation and Research. A Documentation of the Textile Department on the 20th Anniversary of the Abegg Foundation.
Bern, Schriften der Abbeg-stiftung, 1988

Awhile back I managed to ILL this book (I love my librarians!) - I took a whole lot of photos with the intention of posting them online for discussion and future reading. Then our laptop hard drive died. I lost a boatload of research and articles I have written over the years. But thankfully, all the photos I took of the Abbeg book were still on the digital camera!

So, now that I have learned my lesson and *will* be webbing my stuff from now on (*beating head against desk*) I am going to start putting up sections from the book for folks to consider and discuss.

I will be breaking this down into 'single subjects so that the number of pictures per entry don't get totally out of hand.

Women's bonnet from Gelterkinden... )
hsifeng: (www.crackafuckingbook.com)
ILL got this book to me earlier this week:
 
Viking Artefacts: A Select Catalogue by James Graham-Cambell (ISBN: 0-7141-1354-9)
 
 
Description:
 
82. Bone thread-maker
Lund, Skåne, Sweden
Lund (Kulturen): KM 53436:572
 
Two-pronged implement of hollow bone, with highly polished surface. L 5.8 cm
 
From the Thule excavations (1000-50). Such bones were used for twining threads; a similar thread-maker from Lund has runes inciced on it with the words tinbl bein (‘tvindeben’) (Blomqvist and Mårtensson 1963, 57 fig. 41: Moltke 1976. 376, 378). Date: LVP.
 
Lit. Blomqvist and Mårtensson 1963, 174, fig. 179.
Well,
hsifeng: (www.crackafuckingbook.com)
With much thanks to [personal profile] jillwheezul (thank you!) I was able to get the D. S. Wilkinson “Needlework Tools: The Lucet” article from the June 1997 Needle Arts magazine to review it for more information on the history of the lucet and it’s time period. Here are the excerpts mentioning dates and time periods for this implement:
 
(pg 16)
 
“So next time you seek a trim or cord for your project, consider one made by your own hand in the manner of the 17th and 18th centuries using the lyre-shaped implement called a lucet.
 
“An important utilitarian tool of every needleworker, the lucet has been widely used and known in the Western world since around the late 16th century. Please note that numerous reference books have incorrectly identified the lucet as a thread winder.”
 
The article goes on to list extant samples of lucets at the following museums. I am considering writing to the curator at the Met to see if they have any that they have dated from the earlier 16th century.
 
The Chester County Historical Society
The Valentine Museum
The Metropolitan Museum of Art
The Colonial Williamsburg DeWitt Wallace Museum
 
I am still curious about that Viking reference, especially with the noted issues with possible incorrect identifications as thread winders. This site listed the following source which I am going to attempt to ILL:
 
Graham-Campbell, James. Viking Artefacts: A Select Catalogue. London: British Museum Publications, 1980.a
 
We'll see what this Viking version is all about...
 
hsifeng: (www.crackafuckingbook.com)
So in my last post about tracking down the history of the ellusive 'lucet monster', I mentioned that I was going to make another round of ILL requests to check in to the bibliography from Lucet Braiding: Variations on a Renaissance Cord, by Elaine Fuller. Here is what I have gotten back from my university ILL desk:

Goodnow, Kendra and Hilliger, Albert C. "Lucette Cord Made Easy" 1978

ILL:
Well when my search turned up nothing, I did an Internet search and this was the only link.  I did not locate a library that has it listed under this title or authors.
Your best bet would be to order it.*

ME to the LiveJournal Crew:
I really don't want to have to order this book(let) - even though it is *only* $6: Anyone happen to have a copy and be willing to thumb through it for any 'history' information?

Wilkinson, Dorothy S "Needlework Tools: The Lucet" Needle Arts, June 1997, pp. 16-17

ILL:
The Monticello Needlearts, "Needlework Tools : The Lucet" by Doroty S. Wilkinson, June 1997, was not searchable either.  I am terrible sorry, but the title did turn up under one library, but it is a book, and it is part of their rare books collection and in processs.  

ME to the LiveJournal Crew:
I attempted a search on WorldCat and a number of article archives - no luck.

Proctor, Molly "Needlework Tools and Accessories: A Collectors Guide" London: BT Batsford, Ltd. 1990

ILL:
I was able to request Needlework Tools and Accessories.  

ME to the LiveJournal Crew:
SCORE....

Well, one out of three ain't bad....*ttthhbt*
hsifeng: (www.crackafuckingbook.com)
Awhile back I posted this information...

This Inforamtion right here... )
The following three title came in:

 "The History of Needlework Tools and Accessories" by Sylvia Groves

 "An Illustrated History of Needlework Tools" Gay Ann Rogers

"Old Needlework Boxes and Tools: Their Story and How to Collect Them" Mary Andere


So far, all these sources agree that the lucet was "still around" and in general use in the 18th C - but not one of them has indicated when it *started* being used or if it was around in the 16th C.

The closest I have gotten to a clue thus far is the following from Sylvia Groves book,

"Apart from the garniture of needlework there were numerous other purposes for which cords were needed in both large and small households. In medieval times horn-books, pen-cases, pincushions, pomanders and many objects of everyday use were hung from the waist suspended by cords. Hooks and eyes and metal fasteners, of a type that can be bought easily and cheaply today, did not become generally available until the late Georgian era, so hat both under and outer garments had to be laced up or gathered in with cords, or 'chains' as they were then termed. The closure of bags and purses presented another and more difficult problem; money was carried in a silk purse contained in an outer bag o leather drawn or tied round with strings or laces.

"All these cords had, of course, to be made by hand, usually on a simple but very essential, implement know as a lucet. This is a flat, lyre-shaped tool, from three to six inches in length, with two horns tapering or curving outwards at the ends...."

I just got the Abegg-Stiftung 'Textile Conservation' book in today and thought I would scan the index for the word 'lucet'. No luck, the index is only of pieces and images, not terms.

So I will try to skim the contents while I have it to see if any extant pieces with lucet cords are mentioned....

BTW - I also edited this entry to include my thoughts on fingerloop braiding.

[livejournal.com profile] jillwheezul, you can start the "I told you so" entry now....*grin* 

edited 7/17/08 @ 8:54 AM - 

Since I am returning the above listed ILL titles to the library today anyway, I am going to send in requests for these items to see if they have more details on the lucet/medieval/Early Modern connection:

Goodnow, Kendra and Hilliger, Albert C. "Lucette Cord Made Easy" 1978

Proctor, Molly "Needlework Tools and Accessories: A Collectors Guide" London: BT Batsford, Ltd. 1990

Wilkinson, Dorothy S "Needlework Tools: The Lucet" Needle Arts, June 1997, pp. 16-17

I desided to search the OED (since I found I have access to it via the SF Public Library):

lucet pron: (({sm}l(j)ust) )

timeline

      a1650 1858  
 _1100__1200__1300__1400__1500__1600__1700__1800__1900__2000__2100_

a1650 in Furnivall Percy Folio (1868) II. 402 Shee that liues by nille and tape, & with her bagge & lucett beggs. 1858 SIMMONDS Dict. Trade, Lucet, a lady's lace loom, made of bone, ivory or wood.
 

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